:::
| 姓名 | 沈曉茵 |
|---|---|
| Office Hour | 須於課堂上預約 |
| 最高學歷 | 康乃爾大學戲劇系博士 |
| 類別 | 專任師資 |
|---|---|
| 職稱 | 副教授 |
| 研究專長 | 電影、戲劇、文學 |
著作
- 期刊論文
- 2007 Stylistic Innovations and the Emergence of the Urban in Taiwan Cinema: A Study of Bai Jingruis Early Films. Tamkang Review 37.4 (2007): 25-51.
- 2005 “Obtuse Music and Nebulous Males: The Haunting Presence of Taiwan in Hong Kong Films of the 1990s.” Masculinities and Hong Kong Cinema . Hong Kong : Hong Kong University Press. 119-35.
- 2005“Heat and Pleasure Down Under: Holy Smoke and Its Challenges.” Tamkang Review 35.3&4 (2005): 61-85.
- 2002 “Flesh of a Fruit Is Good: Intellectualizing Filmic Food.” Chung-Wai Literary Monthly . 363: 58-68.
- 2001 “Politics and Aesthetics of Connecting and Splitting: Ann Hui and Clara Law's Love and Loss of Hong Kong.” Chung-Wai Literary Monthly . 346: 35-50.
- 2001“Locating Feminine Writing in Taiwan Cinema: A Study of Yang Huei-shan's Body and Sylvia Chang's Siao Yu .” Post Script . 20.2&3: 115-23. (also anthologized in Chinese-Language Film: Historiography, Poetics, Politics . Honolulu : University of Hawaii Press, 2005).
- 1999 “From the Real to the Magical: Stan Lai's Mutable Identity.” Chung-Wai Literary Monthly . 321: 152-64. (also revised and anthologized in The Realms of the Other: Cultural Identities and Politics of Representation . Taipei : Rye Field Publishing Company, 2001)
- 1999"Cinecriture Feminine : Sylvia Chang's Fe/male Inscription in Siao Yu and Tonight Nobody Goes Home .” Chung-Wai Literary Monthly . 329: 32-44.
- 1998 “Could They Be Vegetables?: Film Aesthetics and Hou Hsiao-Hsien.” Chung-Wai Literary Monthly . 310: 27-47.
- 1997 “Fassbinder: Hideous Act/or Desiring the Beautiful.” Film Appreciation Journal . 86: 17-21.
- 1997“ Rebel Without a Cause , Days of Being Wild , Johnny Guitar : Search for the Father, Mother, and the Self.” Film Appreciation Journal . 87: 27-29.
- 1997“Body vs. Pen: Permutations of the Female Body in the Chang-Yang Trilogy.” Chung-Wai Literary Monthly . 302: 98-114.
- 1996“Reviewing Cultural Criticism and Chinese Cinema .” Chung-Wai Literary Monthly . 285: 139-143.
- 1996“When Night Is Falling : Take a Chance and Fly with Wondrous Female Desire.” Imagekeeper Monthly . 73: 74-75.
- 1996“The Logic of the Intertitles in Buddha Bless America .” Imagekeeper Monthly . 78: 119-22.
- 1996“Love Is at the End of Alienation?: A Look into Edward Yang's Mahjong .” Imagekeeper Monthly . 80: 100-2.
- 1996“Jin Tien Bu Hui Chia (Tonight Nobody Goes Home).” Cinemaya . 34: 35-36.
- 1995 “Where Has All the Capital Gone: The State of Taiwan's Film Investment.” Cinemaya . 30: 4-12.
- 1990 “Ancestors and Descendants of Charlie Chan.” Tamkang Review. 20.2: 217-34.
- 2007 Stylistic Innovations and the Emergence of the Urban in Taiwan Cinema: A Study of Bai Jingruis Early Films. Tamkang Review 37.4 (2007): 25-51.
- 專書論文
- 2008 「電影藝術與意識型態」/魅音男影：一九九０年代香港電影中的台灣。《越界的西洋文學》。 陳玲華主編 。台北：書林，2008. 209-28.
- 1998 “Homesick Eyes : The Haunting Eyes of Globalized Labor.” Cinedossier: The 34th Golden Horse Award-Winning Films . 148-155.
- 1997“Tonight Nobody Goes Home --Everybody In and Out of the House.” Cinema in the Republic of China 1997 Yearbook . Taipei : National Film Archive, 13-14.
- 1997“When We Were Kings --What It Takes to be a King.” Film Guide to the 1997 Golden Horse Film Festival . 33-36.
- 2008 「電影藝術與意識型態」/魅音男影：一九九０年代香港電影中的台灣。《越界的西洋文學》。 陳玲華主編 。台北：書林，2008. 209-28.
- 專書
- 2000 Passionate Detachment: Films of Hou Hsiao-Hsien (co-editor and contributor). Taipei : Rye Field Publishing Company.
- 2000 Passionate Detachment: Films of Hou Hsiao-Hsien (co-editor and contributor). Taipei : Rye Field Publishing Company.
- 譯著
- 1990“M. Butterfly ” (excerpted translation and an introduction). Chung-Wai Literary Monthly . 214: 126-47
- 1990“M. Butterfly ” (excerpted translation and an introduction). Chung-Wai Literary Monthly . 214: 126-47
